Today we look at a double feature, revolving around Falstaff
the Broke Fatso Casanova. The scenes
depicted derive from the Shakespeare play the Merry Wives of Windsor, or the
Italian opera Falstaff, your pick. I
confess I have not read or seen either of these, but based on my intense
Wikipedia-based research, the gist seems to be as follows:
The rotund gentleman in question decides to make some quick
cash by seducing not one, but two married women who are apparently friends, by
sending them identical love letters.
Clearly there are no flaws with this plan. After the two ladies meet up and compare letters, they decide to
have some fun with the would-be loverboy, by leading him on into awkward
situations where they playfully dump him in a river, dress him in drag to be beaten, and
have children set him on fire. Oh,
those merry wives!
These two paintings by John Henry Fuseli (or Johann Heinrich
Füssli) in the late 18th century reflect a couple of these
scenes. In the first one, the ladies
trick him into hiding in a basket of disgusting laundry, before dumping the
laundry and him in the river.
I assume they had a couple of Olympic weightlifters on hand
to transport the basket, because there’s no way the creepy guy leering in the
doorway would manage it.
The ladies are wearing mutant children’s craft projects on
their heads.
This is perhaps to highlight their whimsical nature, as they
prepare to attempt to drown this paragon of erotic desire.
Just look at those full, supple lips. That alluring pose. That piercing gaze. It’s no wonder he thought seducing two women
at once was necessary; just going after one would have been a waste of his
powers.
In fact, I feel like he may have been the model for another
cultural icon…
Moving on to example two, the ladies convince Falstaff to
dress as “Herne the Hunter,” a ghost with horns, and meet them in the
forest. They then convince the local
children to dress up like fairies and “pinch and burn Falstaff to punish him.” Here they are wandering the woods before the
invasion of the midget fairies.
It seems the ladies chose this costume to highlight his
horniness—literally.
“Oh,
the things I do to maintain a couple of sugar mommas. They keep suggesting the weirdest dates. Good thing I’m so sexy.”
This is very unfair on Falstaff! The merry wives were nothing like the young and nubile creatures in the paintings. Merry fishwives would be a closer description!
ReplyDeleteAlas, it seems that the questionable artistic license taken with visual adaptations of literature did not begin with Hollywood.
DeleteOh Shakespeare, you can even make domestic violence and morbid obesity funny.
ReplyDeleteHe even throws out the occasional rape joke! Ha...ha?
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